Scene 1:
Room: Rectangular shaped room lined with bookshelves and filing cabinets. Low ceilings with the lights off besides the desk lamp. Several nicely framed cheap copies of famous paintings line the office. A small, round glass table sits agsinst the right hand wall. It's filed with varying ages of brandy and scotch. The desk is in the center of the room facing the only door on the oposite side. Windows line the wall directly behind the dark, wooden desk. Newspapers litter the desk as well as two old glasses once filled with scotch, the contains long gone. An overflowing ashtray sits on the side of the desk still smoking from a freshly extinguished cigarette. The photographs Gittes shows Curly come from a large, manila envelope sitting on the desk. The pictures as strewn around Curly.

Both men are wearing period garb of the 1930's.
Curly is a large man with short, curly hair. He wears his pale salmon shirt buttoned all the way up making it look like his white tie is choking him. The shirt is ill fit for his girth making the buttons bulge when he starts to become angry. He does not wear a hat, but has pulled his jacket collar high around his fatty neck as a failed attempt of stealth on the way to see Gittes.
Gittes is dressed in a white loose button up with a dark blue tie. He has dark navy suspenders holding up his dark blue pants. His grey fedora has a tattered, stumpy, white feather tucked into it as if a keep sake. His shirt is loose enough to move a little in the slight breeze
